id,accession_number,share_license_status,tombstone,current_location,title,title_in_original_language,series,series_in_original_language,creation_date,creation_date_earliest,creation_date_latest,creators,culture,technique,support_materials,department,collection,type,measurements,state_of_the_work,edition_of_the_work,creditline,copyright,inscriptions,exhibitions,provenance,find_spot,related_works,former_accession_numbers,fun_fact,digital_description,wall_description,external_resources,citations,catalogue_raisonne,url,image_web,image_print,image_full,updated_at
154494,1989.14,CC0,"Budding Sycamore, c. 1876. John Ruskin (British, 1819-1900). Black and gray wash, gouache, and graphite; sheet: 34.8 x 44.8 cm (13 11/16 x 17 5/8 in.). The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund 1989.14",,Budding Sycamore,,,,c. 1876,1871,1881,"John Ruskin (British, 1819-1900), artist","England, 19th century","black and gray wash, gouache, and graphite","thick, moderately textured cream wove paper",Drawings,DR - British,Drawing,Sheet: 34.8 x 44.8 cm (13 11/16 x 17 5/8 in.),,,Andrew R. and Martha Holden Jennings Fund,,"signed and inscribed, in brown ink, at lower right: 1875 / Budding Sycamore / Sketched at Greta Bridge / 1875 / J. Ruskin","CURRENT: The Year in Review for 1989 (Feb 06, 1990); Nature Sublime: Landscapes from the 19th Century (Aug 15, 2004); British Drawings from the Cleveland Museum of Art (Feb 10, 2013)","G.R. Roxburgh (?-?); (Artemis Fine Arts, London, sold to the Cleveland Museum of Art, Cleveland, OH) (?-1989); Cleveland Museum of Art, Cleveland, OH (1989-)",,,[],"This drawing was used as an illustration in John Ruskin's manual on drawing, Rudimentary Studies.","The most influential art critic in Britain during the 19th century, John Ruskin was also an amateur artist for whom drawing was the cornerstone of artistic practice. Since his early youth, a keen perception of the world and obsessive desire to capture nature in all of its details found expression in his drawings. In this study of a leafing sycamore in early spring, Ruskin combined exquisite detail with atmospheric rendering of space, leaving the edges of the drawing unresolved. This sheet exemplifies his belief that drawn fragments, if sensitively observed, were capable of suggesting the profound mysteries of the natural world.","The most influential art critic in Britain during the 19th century, Ruskin was also an amateur artist for whom drawing was the cornerstone of artistic practice. Since his early youth, a keen perception of the world and obsessive desire to capture nature in all of its details found expression in his drawings. In this study of a leafing sycamore in early spring, Ruskin combined exquisite detail with atmospheric rendering of space, leaving the edges of the drawing unresolved. This sheet exemplifies his belief that drawn fragments, if sensitively observed, were capable of suggesting the profound mysteries of the natural world.","{'wikidata': [], 'internet_archive': []}","Cook, Edward Tyas and Alexander Wedderburn. The Works of John Ruskin. London: George Allen, 1906. (Mentioned and reproduced: vol. 21, pp. 291-92, vol. 38, p. 285, no. 1629);; Turner, Evan H. ""The Year in Review: Selections 1989."" The Bulletin of the Cleveland Museum of Art 77, no. 2 (1990): 38-78. (Mentioned and reproduced: p. 59, no. 181);; Artemis 88-89: Consolidated Audited Annual Report. Annual General Meeting (January 26, 1990). (Mentioned: p. 32, no. 13);; Lemonedes, Heather. British Drawings: The Cleveland Museum of Art. Exh. Cat. Cleveland, OH: Cleveland Museum of Art, 2013. (Mentioned: pp. 126-27, 148, no. 42; Reproduced: p. 147);",,https://clevelandart.org/art/1989.14,https://openaccess-cdn.clevelandart.org/1989.14/1989.14_web.jpg,https://openaccess-cdn.clevelandart.org/1989.14/1989.14_print.jpg,https://openaccess-cdn.clevelandart.org/1989.14/1989.14_full.tif,2021-03-27 12:16:10.046000